Снабженная большим количеством фотоматериала история Третьего рейха .
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Elisha is a tender Jewish guy, a Holocaust survivor, and an Israeli freedom fighter in British-controlled Palestine; John Dawson is the captured English officer he'll homicide at sunrise in retribution for the British execution of a fellow freedom fighter. The night-long look ahead to morning and loss of life offers sunrise, Elie Wiesel's ever extra well timed novel, with its harrowingly taut, hour-by-hour narrative.
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http://dx. doi. org/10. 17730/humo. sixty four. three. 2y2n9ughb1wc7qq2
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Additional resources for A New Illustrated History of the Nazis
Within this literature, “seeing” takes as many diﬀerent forms as do the images that are perceived. To see variously means to imagine, cognize, realize, discover. In Through Amateur Eyes seeing is, quite simply, an engagement with the image through the perception of sight. And what is seen are ﬁlms and photographs as visible objects whose meanings begin where light is made manifest in color and form on the surface of each image. To see the images means, ﬁrst and foremost, to experience them visually.
Nevertheless, as Hallas and I argue in The Image and the Witness, the very presence of an image has the capacity to generate an intersubjectivity: the image opens up a site at which a witness (in this case, the contemporary viewer) who did not directly observe or participate in the traumatic historical event now has the ability to witness, at a distance, the ordeal of those photographed. When we see the photographs, it is our responsibility to bear witness to ourselves as we revivify and prolong the historical memory of the traumatic events.
In his two-volume history of events, Nazi Germany and the Jews, 1939–1945, Saul Friedländer signiﬁcantly changed the direction of these two otherwise parallel strains of history. ²¹ Indeed, as Friedländer demonstrates, to grasp the full history, implementation, and impact of the crimes committed by the Nazi regime and the Jewish experience of these crimes it is necessary to understand their mutual imbrication. ²² From Friedländer I take this notion of the importance of the contextualization of documents and events and the impulse to study images taken by the perpetrators as a way of gaining insight into and knowledge of a much bigger picture.
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